Jeanmarie Higgins
theatre history + theory
new play development
new works dramaturgy
c. v.
Education
PhD Theatre History, Theory & Criticism, University of Washington, Seattle, WA
Dissertation: Producing Absence: Theatrical Representations of Domestic Space
Committee: Herbert Blau; Sarah Bryant-Bertail; Nancy Hartsock; Barry B. Witham
MFA Playwriting, University of Virginia, Charlottesville, VA
BA Theatre Arts, Drew University, Madison, NJ
Academic Appointments
Professor and Chair, Theatre Arts and Dance Department
University of Texas at Arlington
2023 - present
Associate Professor, School of Theatre
The Pennsylvania State University
2017 – 2023
Assistant Professor of Dramaturgy, Theatre Department
University of North Carolina at Charlotte
2011 – 2017
Theatre & Performance Production Faculty
2007 – 2011
Courses Taught
Studio Courses
Playwriting / Interdisciplinary Art - New Performance Workshop / Theatre Collaboration
Theatre Studies Courses
Dramaturgy / Critical Performance Theory / Play Analysis / Research Methods / Introduction to Theatre / Ancient - 17th Century Theatre History / 17th – 20th Century Theatre History / Contemporary Theatre History / Women in Performance / Post-colonial Theory & Performance
New Works Dramaturgy
In process:
open source performance-devising project and online portal for stories of gun violence and activism
Project Leaders, Barbara Pitts McAdams and Jimmy Maize, co-authors of Moment Work: Tectonic Theater Project's Process of Devising Theater
TOMORROW WILL BE SUNDAY, a play and interactive map by Heather Raffo
***
INSIDE ASHLAND, OR TROUBLEMAKER, a new play about the life of civil rights organizer, Bayard Rustin
People's Light & Theatre, Malvern, PA 2023
Written and Directed by Steve Broadnax
Co-dramaturg, Les Gray
Children's Theatre of Charlotte & Actors Theatre of Charlotte 2017
Playwright: Steven Dietz
Co-Investigator: Dr. Beth Murray
WIN. PLACE. SHOW. AGA Collaborative Davidson College 2016
Choreographers: Gretchen Alterowitz, Alison Bory, Amanda Hamp
PLACED AGA Collaborative UNC Charlotte 2015
Choreographers: Gretchen Alterowitz, Alison Bory, Amanda Hamp
GEOMANCY Elisabeth Lewis Corley and Elizabeth Gray, poets. The Process Series UNC Chapel Hill 2015
Directed by Joseph Megel. Choreography by AGA Collaborative. An interdisciplinary performance with poetry, dance, and visual design.
IMPERIAL GESTURE Martha Graham Dance Company 2013
Choreographer, Kim Jones after Martha Graham (1935); Performed by Blakeley White-McGuire; Original Music by Pat Daughtery after Lehmann Engel (1935); Costume Design, Karen Young; Lighting Design, Judith Daitsman
NEW WORKS FESTIVAL UNC Charlotte Department of Theatre & Children’s Theatre of Charlotte 2013
Director Adam Burke
AND HOW TO BE IN TWO PLACES AT ONCE AGA Collaborative 2013
Gretchen Alterowitz, Alison Bory, Amanda Hamp. The Dance Complex, Boston (2015); Colby College (2014) UNC Charlotte, (2013)
MAMA GOOSE, UNC Charlotte and the Charlotte Mecklenburg County Libraries 2013
A new bilingual Spanish/English musical play for children by Beth Murray and Irania Patterson
Books
Domestic Space in American Drama 1990-2020. In progress.
Co-Editor with Elisha Clark Halpin. Teaching Performance Practices in Remote and Hybrid Spaces. Under contract with Routledge.
Editor, Teaching Critical Performance Theory in Today's Theatre Classroom, Studio, and Communities. Routledge, 2020.
Contributing Authors: Angela K. Ahlgren; Andrew Belser; Michael Chemers, Maria Enriquez; La Donna L. Forsgren; Kikora Franklin; Jeanmarie Higgins; Stephanie Hodde; Les Hunter; Mimi Kammer; Beth Murray; Jean O'Hara; Jennifer Ewing-Pierce; Jen Plants; Susan B. Russell; Mike Sell, Emma Watkins; Stacy Wolf; Isaiah Matthew Wooden; Samuel Yates
Publications
Peer-Reviewed Journal Articles
- "AGA Collaborative: Walking in the Academy." SDC Journal 5:4 (Summer 2017): 34-38.
- "Rehearsal Skirts: Undergraduate Research and 'Hamletmachine'’s Chorus of Dead Ophelias," PARtake: The Journal of Performance as Research: Vol. 1: Iss. 1, Article 5. 2016.
- "Iconicity and the Archive: Imperial Gesture 1935/2013." Review: Journal of Dramaturgy 24:1 (2015): 8-18.
- With Anita Tripathi Easterling. “The Front Porch: A Case Study In Designing Domestic Stage Space Using Semiotic Analysis.” Theatre Topics 23.1 (2013): 35-44.
- “The End of Room-Space: Domesticity and the Absent Audience In Wallace Shawn’s The Fever.” Journal Of Dramatic Theory and Criticism 1.2 (2012): 57-73.
- “The Revitalization of Space: Freestyle Parkour and Its Audiences.” Theatre Symposium 17 (2009): 113-123.
Journal IssuesPerforming Ethos. Special Issue: "Ethical Dramaturgies." 2020.Etudes. with Michael Schweikardt. Special Issue: "Domestic Space On and Off Stage." 2020.Performance Reviews
- "The Glas Nocturne by Akropolis Performance Lab, Seattle, WA." Theatre Journal 68:1 (2016): 114-116.
- “Poetic Portraits of a Revolution by the Sacrificial Poets, Chapel Hill, NC.” Theatre Journal 65.1 (2013): 117-119.
Book Reviews
- Freak Performances: Dissidence in Latin American Theatre by Analola Santana. Theatre Research International 2020.
- “Contemporary Mise En Scène: Staging Theatre Today by Patrice Pavis.” Theatre Journal. 66.4 (2014): 648-649. Solicited.
- “Walking on Fire: the Shaping Force of Emotion in Writing Drama by Jim Linnell." Theatre History Studies. 33.1 (2014): 278-280.
- Leaving Art: Writings on Performance, Politics, and Publics, 1974–2007 by Suzanne Lacy. New England Theatre Journal 23 (2012): 149-151.
- "Correspondence Course: An Epistolary History Of Carolee Schneemann and Her Circle. Ed, Kristine Stiles." Theatre Research International 37.3 (2012): 291-292.
- "Albee in Performance by Rakesh Solomon." Theatre Survey 53.2 (2012): 359-361.
Other Publications
- "Teaching Dramaturgy in the PostCovid World." with Jennifer Ewing-Pierce. Dramaturging the Phoenix. Literary Managers and Dramaturgs of the Americas. 30 April 2020.
- DuPont, C., Higgins, J., and Mayhorn, J. "Student learning outcomes." Prospect for Success: A campus guide for developing success, inquiry and cultural awareness in first year students (eBook). Charlotte, N.C.: J. Murrey Atkins Library, 2017.
- "The Youngest Person in the Room: Dramaturgy in Undergraduate Theatre Programs." HowlRound 15 May 2016.
- Performance Prospectus “Art and Work in Pat Graney’s Faith Triptych,” Extended program essay for the NW Dance Series, On the Boards, (presenting organization) Seattle, WA, October 2010
- Play. To Moscow!. New York: Playscripts, Inc., 2004
- Play. Science Fair. New York: Playscripts, Inc., 2004
Funding and Awards
- Curriculum lead. Mellon Arts on Campus grant. Pennsylvania State University. 2010-2022.
- The Mellon School, “Locations of Theater” Conveners: Martin Puchner, Andrew Sofer, and Derek Miller. Harvard University. Summer 2014.
- Faculty Research Grant, University of North Carolina at Charlotte. Toward research related to book in progress, Dwelling in Public: Domestic Space in Contemporary Theatre, Dance, and Performance Art. 2014-2015.
- American Society for Theatre Research (ASTR) Collaborative Research Award. Jeanmarie Higgins and Lisa Jackson-Schebetta (University of Pittsburgh). toward Embodied Research / Researching Embodiment in collaboration with the Department of Theatre Studies at the University of Pittsburgh. 2013.
- UNC Charlotte Faculty Research Grant. Dance Dramaturgy. toward research in dance dramaturgy as a collaborative, artistic practice. 2012-2014
- UNC Charlotte Diversity Grant. with Robin Witt. Sacrificial Poets, to support Chapel Hill performance poets Kane Smego and Will McInerney’s spoken word poetry master class for Theatre Collaboration students. 2013
- UNC Charlotte Diversity Grant. with Beth Murray. Dramaturgy Outreach, to support master classes in African-American performance history, delivered to Arts & Society: Theatre students, in support of the theatre department production of George C. Wolfe’s The Colored Museum. 2012
Interviews, Talks, Master Classes
- "Space-making in Dance: the Nelken-Line Project." Arts & Design Research Incubator, Penn State, University Park, PA, with Michele Dunleavy and Anthony B. Buccitelli, 2018.
- "Domestic Stage Space in Hamletmachine." The University of Wisconsin, Madison. 2017.
- "AGA Collaborative: Walking in the Academy" for UNC Charlotte, 2017.
- Master Class (via Skype). “Dance Reconstruction Dramaturgy” for Dr. Ariel Nereson's Advanced Dramaturgy Seminar. SUNY-College at Buffalo Department of Theatre and Dance. 2015.
- Barbara Morgan's Photographs of Martha Graham." Lecture dance with Kim Jones for "ArtFusion: Modernism" public lecture at the Mint Museum, Charlotte, NC. 2014.
- “Dance Reconstruction: a Dramaturgy of the Body.” Lecture dance with Kim Jones. Public Praxis: Performing, Race, History. University of Pittsburgh Humanities Institute. 2014.
- Master Class (via Skype). “Dance Reconstruction Dramaturgy” for Dr. Lisa Jackson-Schebetta’s graduate seminar, “Race and Embodiment in 20th Century Performance in the Americas.” University of Pittsburgh Department of Theatre Studies. 2013.
- Gia Kourlas, “Recreating the Reign: the Better to Fall.” New York Times 15 Feb 13.
- Invited Talk. Preshow Panel: “Reconstructing Martha Graham’s Imperial Gesture.” January 18, 2013. Martha Graham Dance Company, Knight Theatre, Charlotte, NC.
- Radio interview. “Martha Graham Dance Company Comes to Charlotte.” January 14, 2013. Charlotte Talks, Interview with Mike Collins, NPR station WFAE 90.7, Charlotte, NC.
- Master Class. “Dramaturgies of (Post)Modernisms: from Literature to Performance,” University of North Carolina at Chapel Hill, Department of Communication Studies. 2012.
University Dramaturgy
PENN STATE UNIVERSITY
She Kills Monsters by Qui Nyugen, directors Erik Johnson & Sebastian Trainor, 2019 Centre Stage production
DREW UNIVERSITY
Boys Rule by Hannah Ponturo, 2017 New Works Festival
UNC CHARLOTTE
(Director) Gone Silent by Jennifer Maisel for After Orlando
Hamletmachine by Heiner Muller, director Robin Witt
Project/Hope (devised performance), director Robin Witt
CORNISH COLLEGE OF THE ARTS
New Works Festival 2011, director Rhonda Soikowski
New Work Festival 2010, director Richard E. T. White
New Works Festival 2009, director Bret Fetzer
The Good Person of Sichuan, 2009, director Megan Sandberg-Zakian
UNIVERSITY OF WASHINGTON
The Bacchae by Euripides, director Andrew Tsao
Symposia and Audience Talkbacks (selected)
- 2018 "Design Inspiration: Inspiring Design," a live/Smartphone talkback with designers Tom Burch, Hali Hutchinson, and David Fillmore for The Children's Hour, UNC Charlotte. Director, Robin Witt. Hosted by dramaturgy student Teara Tackett. Designed by dramaturgy student Addie Moore.
- 2016 “Volkskörper: the Body of the People” for Hamletmachine, UNC Charlotte. Director Robin Witt. Guest scholar: Visiting Assistant Professor of German Studies, Dr. Caroline Weist, Davidson College.
- 2014 “Writing Lives” for 4.48 Psychosis, UNC Charlotte. Director Robin Witt. An audience discussion with special guest, Ryan Claycomb, author of Lives in Play: Autobiography and Biography on the Feminist Stage.
- 2013 “Es Nuestro/It’s Ours: Engaging Diverse Child Audiences” with authors: Alma Flor Ada; Isabel Campoy; Assistant Professor of Theatre Education, Beth Murray; Irania Patterson; Professor Andrew Hartley; Associate Professor of English, Paula Connelly.
- 2012 “Where is Russia in Anton Chekhov’s Seagull?” for Seagull, UNC Charlotte, Director, Robin Witt. Special guest: Associate Professor of History, Dr. Dave Pretty, History Department, Winthrop University.
- 2012 “Surviving Trauma,” for Paula Vogel’s How I Learned to Drive, UNC Charlotte. Director Lon Bumgarner, with UNC Charlotte Creative Writing faculty: Christopher Davis, poet; Aimee Parkison, fiction writer.
© 2014