PhD Theatre History, Theory & Criticism, University of Washington, Seattle, WA

Dissertation: Producing Absence: Theatrical Representations of Domestic Space

Committee: Herbert Blau; Sarah Bryant-Bertail; Nancy Hartsock; Barry B. Witham

MFA Playwriting, University of Virginia, Charlottesville, VA

BA Theatre Arts, Drew University, Madison, NJ

Associate Professor, School of Theatre

The Pennsylvania State University

2017 – present

Assistant Professor of Dramaturgy, Theatre Department

University of North Carolina at Charlotte

2011 – 2017

Theatre & Performance Production Faculty

Cornish College of the Arts

2007 – 2011

Studio Courses

Playwriting / Interdisciplinary Art - New Performance Workshop / Theatre Collaboration

Theatre Studies Courses

Dramaturgy / Critical Performance Theory / Play Analysis / Research Methods / Introduction to Theatre / Ancient - 17th Century Theatre History / 17th – 20th Century Theatre History / Contemporary Theatre History / Women in Performance / Post-colonial Theory & Performance

In process:

Inside Ashland, or Troublemaker, a new play about the life of civil rights organizer, Bayard Rustin

Capetown Fringe; Penn State School of Theatre; People's Light & Theatre, Malvern, PA.

Written and Directed by Steve Broadnax

Co-dramaturg, Leslie Gray

Steel Valley Rhythms, a multi-disciplinary project in percussive dance, music, labor studies, and community outreach

Penn State University

Choreographer, Michele Dunleavy

Co-Investigator, Anthony B. Buccitelli, PhD

Second Story Project

Children's Theatre of Charlotte & Actors Theatre of Charlotte

Playwright: Steven Dietz

Co-Investigators: Dr. Beth Murray; Adam Burke; Chip Decker

* * *

WIN. PLACE. SHOW. AGA Collaborative Davidson College 2016

Choreographers: Gretchen Alterowitz, Alison Bory, Amanda Hamp

PLACED AGA Collaborative UNC Charlotte 2015

Choreographers: Gretchen Alterowitz, Alison Bory, Amanda Hamp

GEOMANCY Elisabeth Lewis Corley and Elizabeth Gray, poets. The Process Series UNC Chapel Hill 2015

Directed by Joseph Megel. Choreography by AGA Collaborative. An interdisciplinary performance with poetry, dance, and visual design.

IMPERIAL GESTURE Martha Graham Dance Company 2013

Choreographer, Kim Jones after Martha Graham (1935); Performed by Blakeley White-McGuire; Original Music by Pat Daughtery after Lehmann Engel (1935); Costume Design, Karen Young; Lighting Design, Judith Daitsman

NEW WORKS FESTIVAL UNC Charlotte Department of Theatre & Children’s Theatre of Charlotte 2013

Director Adam Burke

AND HOW TO BE IN TWO PLACES AT ONCE AGA Collaborative 2013

Gretchen Alterowitz, Alison Bory, Amanda Hamp. The Dance Complex, Boston (2015); Colby College (2014) UNC Charlotte, (2013)

MAMA GOOSE, UNC Charlotte and the Charlotte Mecklenburg County Libraries 2013

A new bilingual Spanish/English musical play for children by Beth Murray and Irania Patterson

Domestic Space and Absence in Contemporary Performance

Editor, Teaching Critical Performance Theory in Today's Theatre Classroom, Studio, and Communities

Contributing Authors: Angela K. Ahlgren; Dina Amin; Maria Enriquez; La Donna L. Forsgren; Kikora Franklin; Jeanmarie Higgins; Stephanie Hodde; Les Hunter; Mimi Kammer; Beth Murray; Jean O'Hara; Jennifer Pierce; Jen Plants; Susan B. Russell; Isaiah Matthew Wooden; Samuel Yates

Peer-Reviewed Journal Articles

• "AGA Collaborative: Walking in the Academy." SDC Journal 5:4 (Summer 2017): 34-38.
• "Rehearsal Skirts: Undergraduate Research and 'Hamletmachine'’s Chorus of Dead Ophelias," PARtake: The Journal of Performance as Research: Vol. 1: Iss. 1, Article 5. 2016. 
• "Iconicity and the Archive: Imperial Gesture 1935/2013." Review: Journal of Dramaturgy 24:1 (2015): 8-18.
• With Anita Tripathi Easterling. “The Front Porch: A Case Study In Designing Domestic Stage Space Using Semiotic Analysis.” Theatre Topics 23.1 (2013): 35-44.
• “The End of Room-Space: Domesticity and the Absent Audience In Wallace Shawn’s The Fever.” Journal Of Dramatic Theory and Criticism 1.2 (2012): 57-73.
• “The Revitalization of Space: Freestyle Parkour and Its Audiences.” Theatre Symposium 17 (2009): 113-123.

Performance Reviews

• "The Glas Nocturne by Akropolis Performance Lab, Seattle, WA." Theatre Journal 68:1 (2016): 114-116. 
• “Poetic Portraits of a Revolution by the Sacrificial Poets, Chapel Hill, NC.” Theatre Journal 65.1 (2013): 117-119.

Book Reviews

• “Contemporary Mise En Scène: Staging Theatre Today by Patrice Pavis.” Theatre Journal. 66.4 (2014): 648-649. Solicited.
• “Walking on Fire: the Shaping Force of Emotion in Writing Drama by Jim Linnell." Theatre History Studies. 33.1 (2014): 278-280.
• Leaving Art: Writings on Performance, Politics, and Publics, 1974–2007 by Suzanne Lacy. New England Theatre Journal 23 (2012): 149-151.
• "Correspondence Course: An Epistolary History Of Carolee Schneemann and Her Circle. Ed, Kristine Stiles." Theatre Research International 37.3 (2012): 291-292. 
• "Albee in Performance by Rakesh Solomon." Theatre Survey 53.2 (2012): 359-361.

Other Publications

• DuPont, C., Higgins, J., and Mayhorn, J. "Student learning outcomes." Prospect for Success: A campus guide for developing success, inquiry and cultural awareness in first year students (eBook). Charlotte, N.C.: J. Murrey Atkins Library, 2017.
• "The Youngest Person in the Room: Dramaturgy in Undergraduate Theatre Programs." HowlRound 15 May 2016.
• Performance Prospectus “Art and Work in Pat Graney’s Faith Triptych,” Extended program essay for the NW Dance Series, On the Boards, (presenting organization) Seattle, WA, October 2010
• Play. To Moscow!. New York: Playscripts, Inc., 2004
• Play. Science Fair. New York: Playscripts, Inc., 2004

• The Mellon School, “Locations of Theater” Conveners: Martin Puchner, Andrew Sofer, and Derek Miller. Harvard University. Summer 2014.
• Faculty Research Grant, University of North Carolina at Charlotte. Toward research related to book in progress, Dwelling in Public: Domestic Space in Contemporary Theatre, Dance, and Performance Art. 2014-2015.
• American Society for Theatre Research (ASTR) Collaborative Research Award. Jeanmarie Higgins and Lisa Jackson-Schebetta (University of Pittsburgh). toward Embodied Research / Researching Embodiment in collaboration with the Department of Theatre Studies at the University of Pittsburgh. 2013.
• UNC Charlotte Faculty Research Grant. Dance Dramaturgy. toward research in dance dramaturgy as a collaborative, artistic practice. 2012-2014
• UNC Charlotte Diversity Grant. with Robin Witt. Sacrificial Poets, to support Chapel Hill performance poets Kane Smego and Will McInerney’s spoken word poetry master class for Theatre Collaboration students. 2013
• UNC Charlotte Diversity Grant. with Beth Murray. Dramaturgy Outreach, to support master classes in African-American performance history, delivered to Arts & Society: Theatre students, in support of the theatre department production of George C. Wolfe’s The Colored Museum. 2012

• "Space-making in Dance: the Nelken-Line Project." Arts & Design Research Incubator, Penn State, University Park, PA, with Michele Dunleavy and Anthony B. Buccitelli, 2018.
• "Domestic Stage Space in Hamletmachine." The University of Wisconsin, Madison. 2017.
• "AGA Collaborative: Walking in the Academy" for UNC Charlotte, 2017.
• Master Class (via Skype). “Dance Reconstruction Dramaturgy” for Dr. Ariel Nereson's Advanced Dramaturgy Seminar. SUNY-College at Buffalo Department of Theatre and Dance. 2015.
• Barbara Morgan's Photographs of Martha Graham." Lecture dance with Kim Jones for "ArtFusion: Modernism" public lecture at the Mint Museum, Charlotte, NC.  2014.
• “Dance Reconstruction: a Dramaturgy of the Body.” Lecture dance with Kim Jones. Public Praxis: Performing, Race, History. University of Pittsburgh Humanities Institute. 2014.
• Master Class (via Skype). “Dance Reconstruction Dramaturgy” for Dr. Lisa Jackson-Schebetta’s graduate seminar, “Race and Embodiment in 20th Century Performance in the Americas.” University of Pittsburgh Department of Theatre Studies. 2013.
• Gia Kourlas, “Recreating the Reign: the Better to Fall.” New York Times 15 Feb 13.
• Invited Talk. Preshow Panel: “Reconstructing Martha Graham’s Imperial Gesture.” January 18, 2013. Martha Graham Dance Company, Knight Theatre, Charlotte, NC.
• Radio interview. “Martha Graham Dance Company Comes to Charlotte.” January 14, 2013. Charlotte Talks, Interview with Mike Collins, NPR station WFAE 90.7, Charlotte, NC.
• Master Class. “Dramaturgies of (Post)Modernisms: from Literature to Performance,” University of North Carolina at Chapel Hill, Department of Communication Studies. 2012.

DREW UNIVERSITY

Boys Rule by Hannah Ponturo, 2017 New Works Festival

UNC CHARLOTTE

(Director) Gone Silent by Jennifer Maisel for After Orlando

Hamletmachine by Heiner Muller, director Robin Witt

Project/Hope (devised performance), director Robin Witt

CORNISH COLLEGE OF THE ARTS

New Works Festival 2011, director Rhonda Soikowski

New Work Festival 2010, director Richard E. T. White

New Works Festival 2009, director Bret Fetzer

The Good Person of Sichuan, 2009, director Megan Sandberg-Zakian

UNIVERSITY OF WASHINGTON

The Bacchae by Euripides, director Andrew Tsao

• 2018 "Design Inspiration: Inspiring Design," a live/Smartphone talkback with designers Tom Burch, Hali Hutchinson, and David Fillmore for The Children's Hour, UNC Charlotte. Director, Robin Witt. Hosted by dramaturgy student Teara Tackett. Designed by dramaturgy student Addie Moore.
• 2016 “Volkskörper: the Body of the People” for Hamletmachine, UNC Charlotte. Director Robin Witt. Guest scholar: Visiting Assistant Professor of German Studies, Dr. Caroline Weist, Davidson College.
• 2014 “Writing Lives” for 4.48 Psychosis, UNC Charlotte. Director Robin Witt. An audience discussion with special guest, Ryan Claycomb, author of Lives in Play: Autobiography and Biography on the Feminist Stage.
• 2013 “Es Nuestro/It’s Ours: Engaging Diverse Child Audiences” with authors: Alma Flor Ada; Isabel Campoy; Assistant Professor of Theatre Education, Beth Murray; Irania Patterson; Professor Andrew Hartley; Associate Professor of English, Paula Connelly.
• 2012 “Where is Russia in Anton Chekhov’s Seagull?” for Seagull, UNC Charlotte, Director, Robin Witt. Special guest: Associate Professor of History, Dr. Dave Pretty, History Department, Winthrop University.
• 2012 “Surviving Trauma,” for Paula Vogel’s How I Learned to Drive, UNC Charlotte. Director Lon Bumgarner, with UNC Charlotte Creative Writing faculty: Christopher Davis, poet; Aimee Parkison, fiction writer.